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Playwriting and the Craft of Audience Participation

Expected online publication date:  26 June 2026

Helen E. Shutt
Affiliation:
The University of Edinburgh

Summary

This Element investigates how playwrights can employ text-based strategies to facilitate audience participation in performance. It looks to contemporary discourse in the field of applied theatre to suggest principles the creator of a participatory work may employ to support the creation of a performance text which invites, and is responsive to, contributions from the audience. This Element offers analysis of works by playwrights Tim Crouch, Nassim Soleimanpour, Hannah Jane Walker and Chris Thorpe, all of whom experiment with text-based modalities to position the audience as co-creators in performance. It offers the insights gained from the author through their own experience of writing and staging a participatory performance. This Element draws upon ideas on care, relationality and affect to propose a care-centred model of playwriting which fosters an inclusive and accessible experience of co-creation in performance.

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Playwriting and the Craft of Audience Participation
  • Helen E. Shutt, The University of Edinburgh
  • Online ISBN: 9781009590617
Available formats No formats are currently available for this content.
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Playwriting and the Craft of Audience Participation
  • Helen E. Shutt, The University of Edinburgh
  • Online ISBN: 9781009590617
Available formats No formats are currently available for this content.
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Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Playwriting and the Craft of Audience Participation
  • Helen E. Shutt, The University of Edinburgh
  • Online ISBN: 9781009590617
Available formats No formats are currently available for this content.
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